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The Rest Is Noise: Listening to the Twentieth Century

by: Alex Ross

: The Rest Is Noise: Listening to the Twentieth Century
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Binding: Hardcover
Dewey Decimal Number: 780.904
EAN: 9780374249397
ISBN: 0374249393
Label: Farrar, Straus and Giroux
Manufacturer: Farrar, Straus and Giroux
Number Of Items: 1
Number Of Pages: 640
Publication Date: October 16, 2007
Publisher: Farrar, Straus and Giroux
Release Date: October 16, 2007
Sales Rank: 78154
Studio: Farrar, Straus and Giroux



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Product Description:
The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler’s Germany and Stalin’s Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama’s The Embarrassment of Riches and Louis Menand’s The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.


Amazon.com Review:
Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic.

Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals.'

Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes



Customer Reviews
Average Rating: out of 5 stars

Rating: 5 out of 5 stars - All the rest is noise
I love Bach, Mozart, Beethoven, even Mahler. But anything beyond that, well, to me it has been just ... Read More


Rating: 5 out of 5 stars - Lo demás es música
Alex Ross ha escrito un libro informativo y ameno.
Para los aficionados a la música, en especial ... Read More


Rating: 2 out of 5 stars - Not what I was expecting
I was expecting a book that would explain more about 20th century [classical] *music*, but instead this ... Read More


Rating: 4 out of 5 stars - A tough mountain to climb
I'm learning a lot about 20th-century music from The Rest is Noise, but it's a tough read. The book is ... Read More


Rating: 5 out of 5 stars - A review of 20th Century music for the tutored and untutored
I found this book immensely edifying. I have no musical training but have an eclectic interest in music. ... Read More

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Copyright ©2003, Mark Carey.